“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.” – H.P. Lovecraft, opening of “The Call of Cthulhu.”

Four years ago the greatest war the world had ever seen ended under an armistice, leaving in its wake an uncertain future for the nations of Eurona. As cities are rebuilt new tensions are rising and people struggle to find their destiny. The Great War left the continent in a state of endless political upheaval. It is a time of revolution, fear, and intrigue. Leaders fight for dominance in the halls of power with lies and assassins while most of their people starve and toil in fog choked cities. Behind every allegiance is an ulterior motive, behind every promise is deceit. But behind these shadows are even more sinister forces at work.
During the Great War various nations sought uncanny means of victory when they realized that they couldn’t win by traditional tactics. They used forbidden magics and recruited mad men to create machines of dark science. In their efforts for better weapons of war they called forth forces beyond their control or comprehension, and awakened worse things. A constant flow of souls from a thousand battles coupled with destructive magics drew the attention of slumbering evil. Although the old gods still sleep, their dreams ripple across reality spilling over into the waking world. In their blind arrogance the nations of Eurona have paved the way to further horror in this strange world of dark science and madness.

Campaign World Premise

  1. The world: Lux Tenebrae takes place on a planet called Valith. It is a large terrestrial world similar to earth with a single moon. The planet orbits a main sequence yellow dwarf type star and there is a total of 13 confirmed planets in the solar system. Valith is slightly colder then earth with conditions comparable to that of the little ice age. The main continent where most of the major Industrialized nations exist is called Eurona, the continent is similar in shape to that of Europe/Asia. This is where the game will be taking place.
  2. The world has recovered from an ancient apocalypse: Long ago Valith was home to the Golden Empire, which spanned many different planes and wielded powerful technology and magic. The Golden Empire was brought to ruin in a divinely influenced apocalypse. Some say the dragons burned the old world to a cinder. Others think that the Penitent Ones, beings second only to the gods, had driven all sentient life to madness; turning all under the rule of the Golden Empire into little more then animals. No one is sure what really transpired during this forgotten era. The Long dead husks of titanic war machines and ancient tombs are all that remain.
  3. Magic and science exist as one: Magic is everywhere, but due to universal limits it can only go so far. So civilization branched on to a technological path, one that utilizes both magic and science. So now things like airships and trains are possible by way of arcane engines that use natural sources of energy like electricity and coal to power spell engines. Non magical machine are still readily used.
  4. Age of Imperialism and Revolution: Civilization is rapidly spreading to the furthest corners of the world and boarders between empires are constantly being redrawn after every war. Those subjugated by the expansionist powers aren’t happy toiling under their oppressive masters and fight hopelessly to break free. In other parts of the world the extreme opposite is true as rotting age old empires fight to maintain control over an increasingly disgruntled population.
  5. Unnamed horrors lurk in strange far places: Within the darkest depths of the ocean to the coldest corners of the cosmos lurk vast alien entities and hostile aliens that are beyond mortal comprehension. Most of these beings lie sleeping in arcane prisons but are free to invade the dreams of mortals and gather distant followers that can potentially set the old gods free.
  6. Dark science is rampant: Genius and madness are two sides of the same coin. The unrestricted advancement of technology and the arcane arts has given rise to a sprawling underworld of fringe science and forbidden arcana. Now dying kings can cheat death with crude life support contraptions, ghoulish doctors prowl the graveyards in search of fresh corpses to experiment on, and mad men make deals with ancient horrors in exchange for knowledge of forbidden arts.
  7. True monsters are rare, powerful, and terrifying: Many unusual races and creatures inhabit the world but true monsters lurk in the farthest most strangest places. They are large, terrifying and can strip the sanity off weaker minds. Some are ancient magical beasts that have drifted into obscurity, others are outsiders that time has forgotten. All of them are a force to be reckoned with.
  8. The world is full of mystery and intrigue: Greedy companies, criminal enterprises, and deranged cults are constantly scheming and plotting in dark alleys while society remains largely oblivious to their activities. Neither is every thing what it always seems. Some times adventurers could find them selves allied with cultists and monsters with similar goals. All actions have consequences and most adventurers find that they have to be morally flexible in order to do good in the world.
  9. Dragons are strangely silent: Dragons are incredibly ancient magical creatures that where once heavily involved in the politics of the old world. But after the fall of the Golden Empire their numbers where reduced to a mere handful, and due to the hostility of the civilized races the dragons where forced to retreat to the most secluded corners of the world. Since then dragons have become legends. People live their entire lives without ever seeing or hearing about one. Only the most daring explorers ever get the chance to see a dragon. Talking to a dragon is nearly unheard of.

More information on my world setting can be found in the Player Handout

DM’s Commentary

I like to think of my setting as a mix between Dragon Age, and Call of Cthulhu in a steampunk industrial fantasy setting with elements of Warhammer 40K and Eberron thrown in for good measure. In addition I am taking ideas (or outright stealing) from the Leviathan series by Scott Westerfield, Bioshock, Irongrip, and Full Metal Alchemist. I have taken rules from other D20 games and adapted them into D&D 4.0. The result is more or less one big experiment which will hopefully turn out great. I hope to some day actually get away from D&D 4.0 and create my own system for Lux based on a more gritty existing game, like D20 Modern or Dark Heresy. If that’s all really confusing then just think of my game as a really weird Steamier version of Eberron.

What my game isn’t…

My game is not an epic fantasy, nor is it terribly realistic. My game is not based on history to the letter but is instead “inspired” of history. Things like World War 1 just give me a point in time that I can refer to for ideas, it is not the world that I am trying to re create. This is not an Alternate history game. I am also aware that my game is not “true” steampunk or dieselpunk but merely my own reiteration of it. Note that I am NOT a proponent of the “just add lots of gears and brass to make it steampunk” stereotype. Nor am I a Vernian purist that says that all Steampunk must be on earth or take place in 20th century Europe. Describing what “steampunk” is has been so warped that there is no longer a single definition for it. I found my own definition and that’s that! I am also aware that people don’t mix high fantasy with modern technology often; and for good reason, it usually doesn’t make much sense! The ripple effect of introducing something like gunpowder to a fantasy is massive and it takes a lot of work to figure out how it would change things. But some games and franchises find a way to make it work, I don’t see why I cant do the same.

Background Art Credits

Legal Stuff – When possible I have credited original artists of any artwork used on this site and/or linked to the source that I found the piece. See wiki page credits area for more info. There is no intent to damage, defame or harm the work or artists in any way – if I have used your work it’s because I think it is beautiful and inspiring. Any requests to remove work will be promptly responded to. D&D and all the terms associated with the game are property of Wizards of the Coast and no infringement on their property is intended. This website is intended for the personal use and entertainment of our gaming group only, not for any monetary gain.

Lux Tenebrae

Awakening by iririv Vlade Garrett540 MaiaLibre Galka_prince Throlf TimChang